Monday, June 27, 2016

Mother of Mine: A short story in parts

Part 1. The Arena of Misery

The Times of India woke me up today. The papers might have rapped against the door when the newspaper guy lobbed them into my flat. I collected the thick bundle, skimmed through the full page advertisement on my way to the loo and closed the door behind me. The toilet seat was warm and musty, so I used the advertorials to wipe it dry. I opened the paper to read in detail.

Going from page four to page five, I thought I spotted a familiar face in the obituaries section.  I did a double take. I instantly recognized the face in the photo.

It was the man who had fucked me when I was 6.

It was awkward sitting there, in the loo, realizing my life’s biggest mystery had solved itself. The smell of shit and urine hung in the hot morning air. I had trouble breathing. I went for the hand shower. The newspapers fell to the wet floor, getting soaked. I slipped my feet inside my flip flops and cleaned my ass. The air stank even more and the heat grew unbearable. My gown stuck to my back due to sweat.
I picked up my phone and called mom for the first time in 30 years.

*

 “Ma,” cries Namah from her bedroom, thirty years ago. She has been hollering for a good minute, but the screams have not attracted Maya or Kamal’s attention. Kamal is the first to rush in. The baby’s skirt is bloodied, her eyes are puffy and her hands are trembling after a trauma.

Her undies are pulled down to her ankles.

“What the-"

The young father runs towards her and hugs her, but she does not stop howling. Maya enters the room restlessly, only to confront a shocking sight. She rushes to her daughter’s aid and breaks down.

“What happened?” “Who did this?” “Tell us, don’t be afraid.”

But Namah is not fit to speak. She is taken to the hospital, her body is thoroughly examined and the reports come out within a day. She has been raped, but there is another bizarre revelation: no semen samples are found on her vagina. There has been forcefully penetration, and the urethra is bloody, but it is likely to have been an object than a penis.

She remains mortified and silent despite the continuous requests of her parents. The police flags off a dispirited investigation. They begin questioning the usual suspects: the building security guard, the washer-men, the neighbors and other daytime loiterers. No one claims to have seen anything. Even the parents themselves had been busy with their own chores.

Back at home, Namah refuses to enter her bedroom again. At the door, she falls down in a crippling fit. Her pulse quickens, her eyeballs roll up, and her limbs pulsate with a life of their own. When she regains consciousness, she has been safely shifted to her parent’s master bedroom.

“Let’s call if off…she doesn’t deserve us then.”

“She doesn’t deserve you, yes. Why don’t you fuck off from our lives?”

She can hear her parents from the other room - her room - fighting. She steps off the bed, trying to make as little sound of her feet as she can.

“I was in the kitchen, Kamal. You were supposed to take care of her. Why couldn’t you?”

“Are you blaming everything at me? How am I at fault? We don’t even know-“

She hears them struggle and topple over some furniture. Tactfully, she returns to her bed, pulls over the blanket over her head and pretends to be asleep.  

The next day, after a dose of anti-depressants and mild sedatives, she finally recounts the ordeal in short, trembling sentences to her parents.  

“The bad man climbed in through the window. He looked…funny. He looked like a clown but he did not smile. His face was white-colored. His hair was thin and grey. His arms were slim and he wore a black coat. One with those lines running all over. He wanted to hurt me really bad. He held my mouth and undressed me…”

She chokes up and snuggles back into the comforting embrace of her parents, whom she knows are drifting away – because of what happened.

The police launch a district-wide manhunt. Big money and publicity ensure that they are not caught napping another time. There is a rapist on the loose and not a minute to waste. The suspects are picked up again, locked behind bars overnight, but no confession is extracted. The parents are questioned over and over, their place is searched from top to bottom but nothing substantial is found. A sketch is drawn on the basis of Namah’s descriptions: a monstrously pale face with round, youthful eyes and small, narrow lips; the cheeks are puffy and the hair is greying. Black and white posters of the much-despised child rapist are splashed in the papers and stuck on police station walls. The police hold little hope, though; Namah’s testimony is unreliable and sketchy. They fear her state of mind is affecting her judgement greatly. No concrete arrests are ever made and the case slips from public consciousness and media eye. For the many social media crusaders closely following the case, something fresher and more revolting comes along and Namah’s absconding rapist is forgotten.

During the day, when her parents are at their respective workplaces, Namah is left alone with a female caretaker. Her fear of excessive human interaction seems to have taken deep root. Concerned about her education, Kamal and Maya consult a psychologist to counsel their daughter into normalcy.  Between ensuing fights and arguments, her parents find a common ground only in the well-being of their daughter. They anticipate the meeting with Ms. Taraporevala, their psychologist, who is gracious enough to make a house visit. It’s a weekly ritual they are comforted by as much as their daughter.

“Did you dream of anything today?” Ms. Taraporevala questions Namah.

Namah is quiet, staring into space.

“Namah…” eggs on her mother. “Tell her what you dreamt of.”

Maya seems as rattled as her daughter, whereas Kamal maintains a composed exterior. In the weeks since the crime, she has lost her obsessive pursuit of cleanliness and presentability. Her hair is wispy, singled out, and quickly losing volume. She nags her husband less but violent fights erupt ever so often.

“I saw a ghost.”

“What kind of a ghost?”

“He sleeps under my bed and whispers in my ears…every day.”

The adults exchange worrisome glances.

“There’s nothing like ghosts, Namah,” assures Kamal softly. Ms. Taraporevala gestures him to keep quiet.

“Every day? Even today?” she asks.

“No, I’ve stopped sleeping on my bed.”

“She’s shifted into our room since…” explains Kamal. Maya shudders at the reference of the dreadful day.  

“Will you show me?” she asks.

She leads the adults to her bedroom, which is locked.

“Ma’am, she is still a bit anxious about entering the room, so we’ve had it locked…” explains Kamal.
“Namah, are you scared of going inside?” asks Ms. Taraporevala.

She nods, her eyes wide with palpable fear. Some color from her face has vanished; her naturally rosy cheeks are pallid. The psychologist considers for a moment if she should press on. She looks back at Maya, who is distraught and frazzled, and then at Kamal. He manages the subtlest of nods, barely perceptible.


On his cue, her bedroom - the arena of all her misery – is opened for the first time since the fateful day. 

--

Read part 2 here.

Monday, June 20, 2016

i'm also guilty

I met a UP bhaiyya today who told me, 'is sheher mein aap kitne hi bade ho jaaye, aapse aur bhi bada koi hai. aur jitne bhi gareeb ho jao, aapse gareeb log bhi hain'. I wanted to say 'Ambani' but thought better than to refute someone in their element. But then he said, 'teen cheezein humesha chhupa ke rakhni chahiye: bhojan, stree (female) aur dravya (money).'
--
Another cabbie bitched about drunken Bandra girls in mini skirts puking every mile. 'Jab nashe nahin kiye hote tab toh har minute ghar pe khabar karti hain, jaise unki koi izzat lootne wala ho.'
--
I was in Hauz Khas, Delhi last summer with a friend. She was driving out of the parking lot when the parking guy remarked, 'wah, aapki gaadi toh bilkul sahi-salaamat hai. normally ladkiyon ki gaadi pe bohot dents hote hain...'
--
A guy cut into the female line at the local train ticket counter at Bandra Station. The counter guy refused to sell him the ticket. The man returned to his place in the regular queue (behind me) and said, 'agar aurat aadmi ki line mein lag sakti hai, toh aadmi aurat ki line mein kyun nahin lag sakta?'
--
Mom was returning from Pune to Mumbai this afternoon. The guy at the toll booth wondered aloud, 'arey aap akele Pune se drive kar ke aa gayi?'
--

I catch myself staring at women often. I regret it till the next time I do it again. This is perhaps why I cannot respond to anyone in any of these^ scenarios.

Thursday, June 9, 2016

Foreskin: A poem

What am I doing
Writing stories hollow
While injustice prevails,
Outside my burrow.

Swartz, Dabholkar, Hitchens, Dey
Are dead and gone
The forces of evil
Are at a dawn.

And I, corny and cheesy
Talentless and unmindful
Comfortable in my environs
String together a rhyme.

All around me, better people
Suited better to tasks they’re given.
Who am I and what, my purpose?
Around people clearly more driven.

I’m the double, the foreskin, the appendix
Here because of privilege and means.
Thinking and mulling,
Taking forever.

The world owes us nothing,
Neither its fruits nor its luxuries
Neither its gifts nor its rewards,
For we are the sole purpose for our miseries.

If, reader, you stand at a precipice like mine,
Then may this become the singular rhyme;
That tips you over into the valley of action,

Overcoming your inertia like I’ve never done. 

Wednesday, June 1, 2016

'bhaiyya ek chicken momo'


across the table, he stands
and takes my barking order.
his upper lip yet unfurnished with a manly bush,
his arms thin as stick; no broader.

the accident of birth that pits
us across this gulf of money
yawns to remind me of who i am
every single moment.

all he does is nervously smile;
perhaps his first day at the booth,
among many countless more to come,
foreshadowed on the dying embers of his youth.

across the table, he stands,
and takes the world's barking order.
perhaps only half-understanding his fate,
too young to be led to a slow, life-long slaughter.

the accident of birth separates us.
the gulf between us: this table.
years of prejudice and misplaced entitlement
root us unshakably to our life's station.